For more than two decades I have been a keen advocate of ‘Steal and Adapt’ (Transformational Response) as a key factor in school writing development programs.
A recent visit to the major David Bowie exhibition at the V&A (23 March-11 August 2013) has finally prompted me to briefly collect my thoughts on this subject in print.
Bowie is clearly an eclectic ‘thief’, (…and let’s establish immediately that I do not use that word in a derogatory manner) an autodidact with a broad sweep of interests. He steals from film – Fritz Lang to A Clockwork Orange; fashion, Japanese theatre, Pop art etc etc
In the Spring 2013 edition of the V&A journal Dylan Jones discusses his ‘…innate ability to plunder’ though it should be noted that plundering is only one step in the creative process. Active selection precedes the act of plunder and careful combination follows thereafter.
When the stolen elements are judiciously mixed then a NEW thing/whole emerges.
Bowie is not a hoarder as hoarding is indiscriminate; he is more of a collector. He COLLECTS with care and then he COMBINES and it is through these two C’s, rather than the three R’s, that both fiction and non fiction writing can be successfully developed in schools.
It is not a new idea (See, I prove my point!!!!!): T.S. Eliot articulated it very well,
Immature poets imitate, mature poets steal…and good poets make it into something better, or at least something different.
What I am suggesting is that we actively encourage literary theft as it is central to the development of an individual authorial voice. In writing these thefts should occur at both a micro and a macro level,
MICRO LITERARY THEFT: Stealing words, phrases and sentences and recombining these in new ways
MACRO LITERARY THEFT: Stealing ideas and plots then adapting these. (All ‘Fan Fiction’ – new stories based on pre-existing characters- is a form of Macro Literary Theft)
The question arises as to how we promote this kind of theft in the classroom. Personally I think the key lies in the EXPLICIT linking of reading and writing. If we are writing fairy tales we should be reading fairy tales; if we are writing myths then we should be reading myths. Importantly this should occur without a time lag or transfer of ideas, from the texts pupils read to the texts they write, will suffer.
As teachers we should model the process of theft ourselves and then model how we combine ideas and ‘found phrases’ to form new ideas and new word combinations. We cannot achieve this if time is not set aside for reading WHOLE stories (as opposed to extracts).
To be truly creative pupils need something to creatively manipulate – something to reject, something to alter and something to copy. Theft is an integral part of the creative process and we should encourage it.
As David Bowie comments,
The only art I’ll ever study is stuff that I can steal from
and, as Yohiji Yamamoto pithily puts it,
Start copying what you love…at the end of it you will find yourself.
If we teach budding writers to ‘steal and adapt’ they too will ultimately find their own creative voices.
Alan Peat April 2013
(I would be very interested to hear from schools/teachers who are promoting literary theft as a writing development tool. Contact using email@example.com)